
October 1, 1983 - November 27, 1983
Particulars: Selections from the Miller-Plummer Collection of Photography is an exhibition of 168 nineteenth- and twentieth-century photographs installed in the Prints and Drawings Gallery.

October 1, 1983 - October 30, 1983
Pertaining to Philadelphia III: Motion and Sequence is an exhibition of 36 nineteenth- and twentieth- century photographs installed in the Twentieth-Century Art galleries.

July 16, 1983 - September 11, 1983
Pennsylvania Modern: Charles Demuth of Lancaster is an exhibition of 38 paintings, drawings, and watercolors installed in the Prints and Drawings Gallery.

June 19, 1983 - August 21, 1983
Philadelphia has long been a center for the collecting of works by Paul Cézanne (1839-1906). The Barnes Foundation in nearby Merion
houses the most extensive gathering of his works in the world. The Museum will gather together its holdings and add to them some ten paintings and ten watercolors from local private collections. The exhibition, while not large in scale, will present the artist in all the variety of his subjects--figures, portraits, still lifes, and landscapes.

October 29, 1982 - August 21, 1983
Pertaining to Philadelphia II is an exhibition of 23 contemporary prints, drawings, and sculptures installed in the Twentieth-Century Art galleries.

May 7, 1983 - July 3, 1983
To celebrate the centennial of the Women's Committee, the Museum will draw upon its vast collections to present a visual record of its growth
during the last century. The exhibition will consist of 100 objects, one acquired each year.

January 15, 1983 - July 3, 1983
The Museum and Johnson Collections own ten paintings by or attributed to the famous 17th-century Dutch painter Jan Steen, comprising the
wealthiest collection outside Holland.

April 23, 1983 - June 26, 1983
The war between Japan and China over the control of Korea, while lasting less than a year, was one of the first wars to be covered by reporters,
whose daily dispatches created a huge demand for war pictures. Japanese artists responded by producing over 3,000 wood-block prints at the
rate of about ten a day. This exhibition presents 87 wood-block prints drawn from the Museum's permanent collection.

March 20, 1983 - May 22, 1983
This exhibition of some 180 photographs, most of
which have never before been on public view, give a rare glimpse of the dramatic landscape of Tibet, the massive forts and monasteries that
dominate its towns, its varied peoples, and the Buddhist rituals which form the basis of their spiritual life.

March 20, 1983 - May 1, 1983
Julius Bloch (1888-1966) had a natural empathy for working people, whom he captured in moving portraits. He approached the subject of a
stevedore, a prisoner, a factory worker, or a dispossessed farmer with the dignity and formality usually reserved for commissioned portraits. Julius Bloch: Portrait of the Artist presents approximately forty paintings, drawings, and prints that survey the range of the artist's career from 1912 to the early 1950s.

February 5, 1983 - April 3, 1983
Minor White (1908-1976), photographer, theoretician, editor, critic, and teacher, was one of the most influential American photographers from
the 1950s until his death. Some 100 of White's photographs from the Museum's collection have been selected for display, arranged, as the artist intended, in sequences so that individual prints borrow significance from each other to make a unified statement.

December 11, 1982 - February 20, 1983
Dance in Pennsylvania: The Nation's First Steps was an exhibition of 77 eighteenth- to twentieth-century objects, including drawings, prints, costumes, models, and photographs, installed in the Director's Corridor.

November 20, 1982 - January 16, 1983
This exhibition of 115 works drawn from the Museum's permanent collection suggests the full range of artistic approaches found in America
over a period of eight decades. Included are etchings, engravings, woodcuts, and lithographs by Edward Hopper, John Singer Sargent, Mary
Cassatt, John Marin, Rockwell Kent, and other significant printmakers.

October 17, 1982 - January 9, 1983
German-speaking peoples began to arrive on these shores in 1682 with William Penn, drawn by the promise of religious liberty and economic
opportunity. Known world-wide as the Pennsylvania Dutch, they brought with them the artistic traditions of such regions as the Palatinate in
southern Germany, the Netherlands, Switzerland, Austria, Northern Germany, Moravia in Czechoslovakia, and Silesia in Poland. This exhibition brings together over 300 objects selected from the organizing museums and nearly 100 other institutions and private collections.